Rome free essay sample

Conclusion Type Final Paper Abstract Presentation Skills Summit 1:Unit: 8 Family Trends 3)Compare generations. 4) Care for the elderly. gt;gt; IV. References Presentation Skills V. Appendices. + Presentation Skills Summit 1:Unit:9 Historys Mysteries 3)Believable story. 4) Trustworthiness of news sourcesgt;gt; References and citation + Research format Summit 1:Unit:10 Your Free Time 1) Leisure activities. 2) Hobbies and other interestsgt;gt; Summit 1:Unit:10 Your Free Time 3) The use of leisure time. ) The risk-taking personality.. gt;gt; Presentation Skills Summit 1 Exam /20 Marks Formal Research Presentation. Formal Research Presentation. Formal Research Presentation. Formal Research Presentation. Research Discussion /20 Marks (Quiz A) Introduction Class Introduction Class Discuss social responsibility and identify urban Problems Discuss how to refine thesis statement. Introduction Class Introduction Class CPF: P. Conversation P. Write a refined thesis statement Summit 1:Unit: 5 Community 1)Politely ask someone not to do something. ) Complain about public conductgt;gt;requesting politely and discuss how to complain a bout public conduct. We will write a custom essay sample on Rome or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Practice Practice how to exchange opinions about the treatment of animals, discuss the benefits of certain pets. CPF: P. Conversation P. 8 Ex: D P. 11 E)Checkpoint. P. 13 Develop research questions and organize note cards of the research to write the first draft. W rite the research questions and organize the note cards. Practice how to make a tentative research outline using concrete support (Outside sources) the outlines of the research paper. Write Write a cause and effect essay. Compare animal character debate the value of animal conversation. Write the discussion of the research. Discuss advertising and consumers and different reactions to ads Demonstrate understanding of the APA style and creating reference list. Discuss how to write conclusion and write the final paper. Describe family trends and discuss parent-teen issues and . Discuss how to write abstract and practice some presentation skills. Compare generations and describe care of the elderly. Discuss how to write references page and practice presentation skills. CPF: P. Conversation P. Write the appendices and practice presentation skills. Discuss how believable a story is; evaluate the trustworthiness of news sources. Demonstrate understanding of the research format. Explain the benefits of leisure activities and describe hobbies and other interests Compare the use of leisure time and discuss the risk-taking personality. Practice how to deliver a formal presentation. Formal Research Presentation. Formal Research Presentation. Formal Research Presentation. Formal Research Presentation. CPF: P. Conversation P. 110CPF: P. Conversation P. Cause and effect essay writing workshop CPF: P. Conversation P. Argumentative Essay Writing Workshop CPF: P. Conversation P. Practice how to use in text citation and full citation. Summit 1:Unit: 7 Advertising and Consumers 3) Buying a product. 4) Consumer shopping habitsgt;gt; Practice how to persuade someone to buy a product and describe consumer shopping habits. P. Conversation P. CPF: What are the outlines of the research supporting your thesis? CPF: P. Conversation P. Summit 1:Unit: 8 Family Trends 1 ) Describe family trends. 2) Parent-teen issuesgt;gt; Write the abstract of the research. CPF: P. Conversation P. Summit 1:Unit:9 Historys Mysteries 1)Speculate about the out -of-the-ordinary. 2) Past event. gt;gt; Speculate about the out of the ordinary and discuss past event. Write the appendices CPF: P. Conversation P. Recognize the guidelines for paraphrasing, summarizing and s Week 16 Formal Research Presentation. Formal Research Presentation. Recognize the rules for using quotations from outside sources.

Where is the Love by The Black Eyed Peas essays

Where is the Love by The Black Eyed Peas essays The following critical interpretation of popular culture is based on the song Where is the Love by the Black Eyed Peas, which was written in 2003. An interpretation of the message that the author is trying to convey in the song is the idea that there is massive discrimination and hatred among people in the United States. Furthermore, the song suggests that US citizens are ignorant of the world around them and that love, which can be viewed as human kindness and civility in the context of this song, is lost among people. To continue, the song argues that the government, along with popular media, is manipulating the populous into thinking that the world we live in is a safe place; all the while hiding what the US government is doing around the world. For example the bombings of Al Shifa Pharmaceutical Plant in Sudan, the aspirin factory bombed in 1998 by the Clinton Administration. The song discusses issues such as terrorism, U.S government hypocrisy, xenophobia, warmongering, sexual/religious intolerance and the inherent greed of the capitalist ideal. Moreover, the song asks a fundamental question as the title suggests Where is the Love? The lyricist proceeds to make his argument by starting the song with analysis of how people lost their morals and respect for each other which leads to xenophobia and intolerance in general. Moving on, in the second half of the song, the writer makes the argument that any form of racism, xenophobia, is the cause for terrorism, especially the events of September 11 2001. The third half of the song, the lyricist writes about the wrongdoing of modernization in the world and how capitalism spreads animosity and selfishness rather than values of humanity to the public. Therefore, the authors presumption that the world has lost love towards humanity and respect for others including religion is based on the arguments that firstly, that disrespect leads to discrimination, ...

The Arabidopsis Myb Genes MYR1 and MYR2 Essay Example | Topics and Well Written Essays - 750 words

The Arabidopsis Myb Genes MYR1 and MYR2 - Essay Example Arabidopsis is a long day plant that flowers earlier than other plants in long day conditions than in short day conditions. In LD conditions flowering is affected by an increase in expression of the flowering locus T (FT). This gene expression is controlled by CONSTANS (CO). Under low light intensity, homozygous myr1 and myr2 mutants will flower and show an increase in petiole length, apical dominance and leaf angle. Analysis on the genetics of the mutants point out that myr1 and myr 2 phenotype need GA biosynthesis. In determination of the functions of MYR1 and MYR2 roles in plant development and growth two independent T-DNA alleles for every gene. The T- DNA were evaluated and discovered that they eliminated full length expression of MYR1 and MYR2 in plants homozygous to every mutation. The homozygous myr1 and myr2 mutants happened to be identical to WT plants in relation to their leaf color, plant size and morphology. In SD conditions plants that had any of these alleles had an ea rly flowering and this generally indicates that myr1 and myr2 had suppressive effects on flowering. Additionally, flowering locust T was also needed by the Myr1 and Myr2 phenotype responsible for flowering and these mutants also demonstrated an interface with phyB-9 mutant. When Myr1 and Myr2 are over expressed, GA deficiency symptoms are shown which are then eliminated by use of gibberellic acid (GA1). When Myr1 and Myr2 were lost, there was a double boost in GA20ox2 expression and GA1 levels increased by 30%. Myr2 over expression caused a three time GA20ox2 decrease and 50% reduction in GA1 levels. Therefore, it can be concluded that Myr1 and Myr2 ability to limit flowering and elongation of organs is slightly because of their destructive consequence on the bioactive GA levels. In this case, it is possible that the increase in expression for the GA negative regulators showed the property of having a shade avoidance phenotype. The role of MYR1 and MYR2 of affecting the GA2O0x2 expr ession could be the determinant for observed phenotypes and it is in the same line with research on GA2O0x2 genes that indicate their importance in regulating growth and fertility of the Arabidopsis plant. This essay is based on a previous research done by several researchers. It will describe the result, outline the conclusion and give an insight on future work based on this research. In the result that has indicated that MYR1 and MYR2 have a role in plant growth and development, it is indicated that as light intensity became high, the phenotype became weak and double mutants of myr1 and myr2 produced fewer than WT, rosette leaves. In relation, vegetative growth and flowering time characteristic of the myr1 and myr2 mutants exhibited a similarity with phyB mutants. When MYR1 and MYR2 are paralogous and the genes are co-expressed, lengthening of the vegetative period in SD conditions showed a weakening in the phenotype responsible for early flowering. Myr1 and myr2 that were early f lowering under a LD environment was connected with more features that were not present in single mutants. They a longer petiole, lengthy hypocotyls and the leaves were more vertically oriented with a peak in apical dominance. This features show that the early flowering phenotype had been strengthened and that both myr1 and myr2 double mutants expressed the presence of MYR1 and MYR2 redundancy property which was not shown in the single mutant’s myr1 and myr2. In addition it was discovered that MYR1 and M

EXPRESSION ON B CELLS IN HEALTHY INDIVIDUALS AND IN CHRONIC Literature review

EXPRESSION ON B CELLS IN HEALTHY INDIVIDUALS AND IN CHRONIC LYMPHOCYTIC LEUKIMIA - Literature review Example Components of the immune system such as the white blood cells protect the body through the creation of specific antigens. However, in some cases, the immune system itself can be a source of problems, such as in autoimmune diseases, where the immune system recognizes cells of the host body as invaders and attacks these. The cells that form an important part of the immune system can also function incorrectly. Chronic lymphocytic leukemia (CLL) is one example of a disorder where the cells of the immune system are functioning incorrectly. This is a cancer where the B cells of the immune system are highly activated, show increased levels of proliferation and decreased rates of apoptosis. This results in the accumulation of affected cells, which prevents the immune system functioning normally. This review considers the role that Toll-like receptors (TLRs) have on immune system functioning, with a specific focus on CD180 (also known as RP105) and its role on CLL. Toll-like Receptors The imm une system plays a crucial role in protecting the body against pathogens and allows the body to effectively defend itself. One class of molecules that have been shown to have an important role in the effectiveness of the immune system is Toll-like receptors (TLRs). ... Image from Akira et al. (2001) However, while the TLR pathway has been shown to be crucial for the defense and protection of the body, it also can have a significant role in immune system diseases and allergies. This can be due to high levels of signaling or deficiencies of molecules that are involved in the signaling pathway . Thus, TLRs play a significant role in the immune system and related diseases. Understanding their functions both collectively and individual is important to understand the occurrence and progression of many different diseases, as well as looking for treatment for these. Studies have revealed that one potentially important TLR in many immune system diseases is CD180, also known as RP105. This molecule is expressed on the outer membrane of B cells that is known to be a leucine-rich repeat (LLR). LLRs are known to be important in the way in which pathogens within the immune system are recognized. A homolog of the protein has been found on mouse B cells, and has b een associated with a decreased rate of cell death. Experimental evidence shows that cells that were negative for CD180 were susceptible to apoptosis induced by corticosteroids, while those that expressed CD108 were not . In mice, almost all mature B cells expressed CD180; however, this is not true in humans. For example, in individuals suffering from systemic lupus erythematosus (SLE) almost 16% of patients tested were not expressing CD180 in a significant quantity. Individuals who did not have SLE had a significantly lower average level of CD180 expression than those who were affected with SLE . In humans, CD180 is involved in the recognition of B cells and signaling of lipopolysaccharides. However, little more is known about its function . In mice, almost all

Marketing Plan Assignment Example | Topics and Well Written Essays - 1500 words

Marketing Plan - Assignment Example Additionally, in terms of distribution strategy, it will be effectively necessary to engage with existing supply chains rather than utilize or create a dedicated LynLicious supply chain for the company. Once again, the underlying reason behind this has to do with the fact that the creation of dedicated supply chain and distribution strategy would create an unnecessary cost burden on the firm; especially in the opening stages of business development and growth. Within this dynamic, it is easy to understand why the firm would be fundamentally fearful of accruing an unmanageable level of cost with respect to a dedicated distribution network as opposed to seeking to contract existing distribution suppliers to fulfill the needs as they are exhibited by the market. Lynlicius will be competing with some of the most well represented and powerful shoe and fashion designers within the current market (Shi & Liu, 2012). For instance, New Balance, Esprit, Clark’s, and a litany of others already compete within the market for fashionable shoes that exhibit at least some certain level of comfort. Naturally, comparing this to which competitor is able to maximize both of these goals, the reader can adequately understand that the competitors strengths and weaknesses very commensurately. For instance, Clark’s focuses most heavily upon comfort with only a small level of focus on style; shifting or varying different product lines only minimally from season to season or year-to-year. By means of contrast, new balance is more of a workout and training fashion and shoe provider; one that does not necessarily place a high level of focus upon form and fashion with respect to the professional woman (He et al., 2014). Lastly, Esprit is perhaps the most relevant competition that exists within the market; due to the fact that the company places a high level of focus both upon form and fashion. However, the relatively low quality and high cost that this particular brand

Freudian and Jungian Literary Analysis: Under Milk Wood

Freudian and Jungian Literary Analysis: Under Milk Wood Exploration of dreams, symbols and archetypes in Dylan Thomas play for voices Under Milk Wood This paper seeks to assert that Dylan Thomas play Under Milk Wood can be successfully viewed using Freudian and Jungian psychoanalytic techniques. It will attempt to not only isolate and highlight many instances of typical psychical symbolism in the work but also what could be thought of as psychoanalytic mechanisms; especially as they relate to Freuds notions of the Dreamwork in his The Interpretation of Dreams (1997) or Jungs archetypes and collective unconscious. By doing this I hope to not only subject Thomas work to a rigorous psychoanalytical exegesis, uncovering hidden personal symbols, structures and images, but also highlight the psychosocial depth of Under Milk Wood; a depth that has hitherto been overlooked by some critics. Through this I hope to assess the notion that Thomas was every bit as influenced by Freud and Jung as James Joyce and Virginia Woolf were a generation before. I will begin, in my Introduction, to give an outline of the importance of Freud and psychoanalysis to post-World War One literature and what Dylan Thomas place within that was; paying particular attention to Thomas own assertions on the importance of psychoanalysis in his work and the ways that it was greeted by the literati of the 1930s and 40s. The first chapter will be dedicated to a discussion of Under Milk Wood and its creation, looking at such areas as plot construction, the structural nature of the piece and its creative aetiology. From here I will go on to discuss the notion of the Freudian dreamwork and its manifestations in Under Milk Wood. The dreamwork, exemplified by such concepts as condensation, displacement and secondary revision, is a central concept in the Freudian cannon and, as such, has become an important interpretive tool for both psychoanalysts and literary critics. It is with this in mind that I shall attempt to isolate instances of all four of the major mechanisms of the dreamwork in Thomas play whilst relating them to the wider issues of poetic creativity and narrative structure. I will also offer a brief discussion of how Jungs interpretation of dreams differed from Freuds before going on to examine how both can be used to inform us of Thomas play. The third chapter will be dedicated to Jungian archetypes. I will isolate and discuss the many instances of archetypal imagery in the play, paying special attention to the way in which they fit in with Thomas over all poetic sense as it is displayed in his use of language, narrative and plot. This chapter will also examine the role of the collective unconscious and relate it to the Modernist technique of the stream of consciousness novel and the works of James Joyce and Virginia Woolf. My conclusion will attempt to answer the main hypothesis of this paper, that indeed psychoanalytic techniques and knowledge can be used to understand Dylan Thomass play and also what that says about the playwrights role as a modern day bard. Introduction: â€Å"The Analytic Revelation† Thomas Manns paper â€Å"The Significance of Freud† published in 1936 gives us some indications as to the importance of early psychoanalysis on the literary life of Europe and America: â€Å"The analytic revelation is a revolutionary force. With it a blithe scepticism has come into the world, a mistrust that unmasks all the schemes and subterfuges of our own souls. Once roused and on alert, it cannot be put to sleep again. It infiltrates life, undermines its raw naà ¯vetà ©, takes from it the strain of its own ignorance†¦Ã¢â‚¬  (Mann, 1965: 591) As Malcolm Bradbury and James McFarlane assert in their study Modernism: A Guide to European Literature 1890-1930 (1991), this â€Å"revolutionary force† was a large constituent of early twentieth century notions of, not only Modernism in literature and the arts but also, what it meant to be a modern man or woman. The early Modernist writers of the inter-war period not only embraced Freud and psychoanalysis as heralding a new paradigm of self-sufficiency and ontological autonomy but also, as a journal entry by Andre Gide exposes, thought themselves part of an existing groundswell of thought that was, above all, quintessentially new: â€Å"Freud†¦Freudianism†¦For the last ten years, or fifteen, I have been indulging in it without knowing.† (Gide, 1967: 349) The connection between psychoanalysis and literature has always been problematic. Freud, himself asserts in the opening paragraphs to his essay â€Å"The Uncanny† (2005) that â€Å"only rarely (does) a psycho-analyst (feel) impelled to investigate the subject of aesthetics† (Freud, 2000: 1), however writers, critics and even Freud himself have made extensive use of the interpretive similarities between the two disciplines . Not only are there are a whole host of studies devoted to the use of psychoanalysis in literary criticism but in the Introduction to his novel The White Hotel (1999), D.M. Thomas draws attention to the extraordinarily literary quality of Fr euds case studies; each containing many of the tropes and leitmotifs one would normally associate with a creative work. For Freud, the psychical mechanisms of creative writing and dreaming are in, some senses at least, inextricably linked. Both are based in a tripartite system of ideational fantasy formation consisting of: a current situational issue or concern that provokes the memory of a childhood incident or trauma which, in turn, shapes some future action in the guise of a wish fulfilment. Freud sets out the relationship between this system and literature in his essay â€Å"Creative Writers and Day Dreaming† (Freud, 1986): â€Å"We are perfectly aware that very many imaginative writings are far removed from the model of the naà ¯ve daydream; and yet I cannot suppress the suspicions that even the most extreme deviations from that model could be linked with it through an uninterrupted series of transitional cases.† (Freud, 1986: 150) Freud continues to explain the disparity between the mind of the creative writer and the ordinary day-dreamer, asserting that whereas the latter results in a self-conscious repression of desire (the wishes of the day-dreamer being best left unspoken) the former revels in and promulgates such desire, translated as it is by artistic skill and temperament: â€Å"The writer softens the character of his egoistic day-dreams by altering and disguising it, and he bribes us by the purely formal – that is aesthetic – yield of pleasure which he offers us in the presentation of his phantasies.† (Freud, 1986: 153) This essay, perhaps more than any other work of Freuds, highlights for us the attraction of psychoanalysis to early twentieth century writers. Metaphysically and spiritually sceptical after the mass slaughter of the First World War and the alienation engendered by rise of the industrial paradigm, Freudian theory offered (as testified by Manns essay) a distinctly human, non-metaphysical and wholly scientific explanation for the place of the artist within society. For Freud, the artist was distinct from the rest of the populous but this had a purely psychical aetiology, leaving no imperative for notions of religious or supra-human inspiration. This is undoubtedly some of the attraction of Freudianism for Dylan Thomas who, throughout his letters and early work makes both use and reference to writers and critics that were, themselves, heavily influenced by Freud and psychoanalysis. Francis Scarfe, in the essay â€Å"Dylan Thomas: A Pioneer† (1960) cites Freud as a major influence on the formation of Thomas early poetic voice, derived in the main from his experiences with what Scarfe calls â€Å"Sitwellism† (Scarfe, 1960: 96): â€Å"The dominant points of contact seems to be James Joyce, the Bible and Freud. The personal habits of language and mythology of Dylan Thomas can readily be identified through these three sources.† (Scarfe, 1960: 96) If Joyce lent the young poet some of the lyricism and sense of narrative and the Bible some of the rich cadence and verbal poetics, Freud enabled Thomas to look within his own unconscious and find images and leitmotifs that would find resonance with the rest of humanity as, firstly, personal then increasingly Bardic and archetypal symbols formed the basis of his work. An early poem of Thomas clearly mirrors the hyperbole of Freuds first lectures on psychoanalysis; the poet and the analyst both evoking the image of the journey into an unknown by an antonymous but courageous individual: â€Å"The midnight road, though young man tread unknowking. Harbouring some thought of heaven, or haven hoping. Yields peace and plenty at the end. â€Å" (Thomas, 1990: 119) We can compare this to Freuds famous analogy that is evoked throughout his work: â€Å"The interpretation of dreams is in fact the royal road to a knowledge of the unconscious; it is the securest foundation of psycho-analysis and the field in which evey worker must acquire his convictions and seek his training. If I am asked how one can become a psycho-analyst, I reply: â€Å"By studying ones own dreams†Ã¢â‚¬  (Freud, 1957: 60) Interestingly, Thomas himself was reluctant to acknowledge his debt to Freud, choosing instead to suggest a notion that we have already posited here; that Freuds influence is paradigmatic. He says in the collection of interviews â€Å"Notes on the Art of Poetry† (1963) that his writing is influenced by Freud only through the work others , itself a testament to the extent that Freudian theory and, indeed, the whole of psychoanalytic thought has permeated the very fabric of modern literature. Thomas notebooks poems, his earliest poetic statements, are suffused with what we shall see are Freudian images, inspired perhaps not by psychoanalysis itself but by the poets interest in Surrealism and their early antecedents the 18th century Metaphysical poets. Works such as: â€Å"Where once the waters of your face Spun to my screws, your dry ghost blows, The dead turns up its eye†¦Ã¢â‚¬  (Thomas, 1990: 217) And â€Å"In wasting one drop from the hearts honey cells. One precious drop that, for the moment, quells Desires pain†¦Ã¢â‚¬  (Thomas, 1990: 133) Clearly reflect the artistic tenants set out in Bretons Manifestoes of Surrealism (1972) that sought to combine Freudian concepts of the dreamwork with aesthetic creation . As we shall see in the first chapter of this paper, this delight in the surreal as it relates to the Freudian image remained with Thomas throughout all of his working life and, most certainly, manifests itself in Under Milk Wood. The analytic revelations then, of Freud , have not only influenced those writers such as Breton, Auden and Woolf who are were intimately acquainted with his writing but also writers like Dylan Thomas who, by his own admission, came to psychoanalysis through other creative writers works. This paper, like many others, uses psychoanalytic theory as a methodology with which to uncover latent symbols, patterns and structures within Thomas work. It will not only relate such symbols to the poets own poetic vision but will, through Jungian theory, expand these so that they encompass universal archetypes and concepts such as the collective unconscious that structures the unconscious and, inevitably finds its way into works of a creative nature . Chapter One: â€Å"To Begin at the Beginning† Dylan Thomas play for voices Under Milk Wood began life as a small radio broadcast Quiet Early One Morning (Sinclair, 1975, Jones, 1963) and this short piece is easily recognisable as the genesis for the larger work. There are, for instance, many of the same basic characters – the milkman â€Å"still lost in the clangour and music of Welsh-spoken dreams† (Thomas, 1992), the sea captain, the lonely lady â€Å"Miss May Hughes† and even the tragic-comic Mrs Ogmore Pritchard. There is the same sense of poetic cadence that constantly adds to the somatic quality of the writing, lulling the reader into a musical trance as sibilance and assonance is combined with Thomas particular inner rhythms, such as in this extract: â€Å"The sun lit the sea-town, not as a whole, from topmost down reproving zinc-roofed chapel to empty-but-for-rats-and-whispers grey warehouse on the harbour, but in separate bright pieces.† (Thomas, 1978: 15) The story, recited by Thomas himself in 1944 on the BBC, describes the still sleeping town of New Quay in Cardiganshire (Maud, 1992) and weaves external description with internal monologue as the narrator flits in and out of the dreaming consciousnesses of the towns inhabitants. In the story, each paragraph brings a new image or a new perspective but what we are ultimately presented with is the stream of consciousness of the narrator; in the story, unlike in Under Milk Wood, an impersonal but altogether discernable â€Å"I†: â€Å"Quite early one morning in the winter in Wales, by the sea that was lying down still and green as grass after a night of tar-black howling and rolling, I went out of the house, where I had come to stay for a cold unseasonable holiday†¦Ã¢â‚¬  Thomas, 1978: 15) It is this point, this appearance of the personal pronoun that, as we shall see, makes Quite Early One Morning markedly different to Under Milk Wood. Thomas, however, retains the sense of dreamy absurdity, as images are juxtaposed for comic effect amid the repeated refrain of â€Å"The town was not yet awake†. Under Milk Wood grew out of this humble beginning and is both markedly similar and surprisingly different . Both works reflect, as Derek Stanford (1954) suggests, the cadences, characterisation and plot construction of Joyces Ulysses (1979), being as they are the collective narratives of a whole town in the same time period. Both works, however, are also embryonic, Quite Early One Morning obviously being a blueprint for Under Milk Wood but this also being merely a fragmentary snapshot of a larger planned work that was never finished (Jones, 1986: ix). Under Milk Wood also resembles the cyclical structure of Joyces other great work Finnegans Wake (1992). Thomas play abounds with references to beginnings and commencements; we have, for instance, the famous first lines: â€Å"To begin at the beginning: It is Spring, moonless night in the small town, starless And bible-black†¦Ã¢â‚¬  (Thomas, 2000: 1) That not only evokes the biblical â€Å"In the beginning God created the heaven and the earth† (Gen, 1:1) but also the creational sense of Joyces reference to the beginnings of mankind in the opening lines of his novel: â€Å"riverrun, past Eve and Adams, from swerve of shore to bend of bay, brings us by a commodius vicus of recirculation back to Howth castle and Environs.† (Joyce, 1992: 3) In Under Milk Wood, the cyclical nature of the day is metonymous with the seasonal nature of the year and this with the life of a human being as Thomas juxtaposes images of beginnings, babies and births with ageing, infirmity and death; as in this passage: â€Å"All over town, babies and old men are cleaned and put into their broken prams and wheeled on to the sunlit cockled cobbles or out into the backyards under the dancing underclothes, and left. A baby cries.† (Thomas, 2000: 27) As we shall see, this notion of the circle, of repeating is important to both Freud and Jung; Freud through his insistence on the importance of the return in notions such as repression and the death drive and Jung, through his concept of the mandala as a recurring symbol. Like Joyce, Thomas displays circles within circles, as the plot and structure of the work as a whole mirrors the framework of the characters lives and psyches. We see this reflected in many of the plays most successful characters, witness for instance the constant iteration of Mrs Ogmore Pritchard, as she repeats her life over and over again with different husbands, only to have them revisit her after their deaths: â€Å"Mr Ogmore, linoleum, retired, and Mr Pritchard, failed bookmaker, who maddened by besoming, swabbing and scrubbing, the voice of the vacuum cleaner and the fume of the polish, ironically swallowed disinfectant, fidgets in her rinsed sleep, wakes in a dream and nudges in the ribs dead Mr Ogmore, dead Mr Pritchard, ghostly on either side.† (Thomas, 2000: 10) The same can be said, of course, for Captain Cat, whose dreams and waking life are characterised not by the dead per se, but by their return as he witnesses the phantasmatic manifestations of either his repression or the collective unconscious (whether one is citing Freud or Jung). The sense, in Under Milk Wood, is that of a blithe acceptance of the passing of time and the knowledge that things return; the sunrise, the Spring and the dead. This is reflected in many of Thomas poems, for instance in the closing lines of â€Å"I See the Boys of Summer†: â€Å"I am the man your father was. We are the sons of flint and pitch. Oh see the poles are kissing as they cross!† (Thomas, 1990: 219) In this, also, as Karl Jay Shapiro asserts in his study In Defense of Ignorance (1960), Thomas work clearly reflects what was a seminal poem for the young poets generation W.B. Yeats â€Å"The Second Coming† (1987) which contains images of both beginnings and circles within circles. In the next chapter I will look at how these aspects of Under Milk Wood can be interpreted through the psychoanalytical work of Freud and Jung, paying attention specifically to their concepts of dreams and dreaming; again another leitmotif of Thomas play that can be seen to come from Joyces Finnegans Wake. Chapter Two: The Dreamwork, the Symbol and Captain Cat Freud On Dreams As Richard Wollheim suggests, Freuds theories on dreams are the â€Å"most remarkable single element† (Wollheim, 1971: 66) of his psychoanalytical project and Freud himself in his essay â€Å"On Dreams† (1991) stresses the primacy of dream interpretation in his system: â€Å"The transformation of the latent dream-thoughts into the manifest dream-content deserves all out attention, since it is the first instance known to us of psychical material being changed over from one mode of expression to another.† (Freud, 1991: 89) For Freud, dreams serve as symptoms of unconscious repression in the same way as parapraxes (slips of the tongue) and instances of forgetfulness. The content of dreams can, he said, be split into the latent and the manifest; the one providing a shield for the other as the Unconscious gives up its fissures and problems that have been repressed by the Ego during waking hours. Freuds work The Interpretation of Dreams attempts to provide a full scale, largely scientific study of not merely the symbolism of dreams but also their mechanism; a mechanism that he termed the ‘dreamwork. The dreamwork can be thought of as a process (Wollheim, 1971) that transcribes the latent content of dreams into the language of the manifest. Freud is clear in The Interpretation of Dreams that psychoanalysis does not deal with the simple ‘translation of images or primitive notions of symbol exchange that sees dreams as merely scripts that can be easily interpreted using a universal dictionary, although he does acquiesce to the point that some symbols recur on a universal level. Instead, Freud sees dreams as the return of repressed desires and their attendant wishes that find a voice in the psychical economy through a process of disguise. The desire, as Richard Stevens (1983) suggests, â€Å"will be fused with experiences and thoughts from the previous day or even events occurring during the course of the night† (Stevens, 1983: 30). The dreamwork, in the Freudian system, is both the mechanism of disguise and the tool of interpretation because it contains an internal logic that can be used by the analyst to trace the source of repression and, through the process of transference, brought into the conscious and rendered harmless (Freud, 1997). Perhaps the most important concept within The Interpretation of Dreams is the four-fold dreamwork mechanism that can be used, not only in dream interpretation but as we shall see, in the critical appreciation of literature. Freud termed these mechanisms condensation, displacement, representation and secondary revision and before I go to look at how each one fits into Under Milk Wood specifically I would like to, briefly, offer up an explanation as to how each effects the manifest dream-content and ergo the literary image or trope. Condensation This is, perhaps, the most common dream feature and is what gives dreams their sparse, confusing quality. For Freud, dream-thoughts are many and varied, each bombarding the dreamwork simultaneously: â€Å"The dream is meagre, paltry and laconic in comparison with the range and copiousness of the dream-thoughts. The dream, when written down fills half a page; the analysis, which contains the dream-thoughts requires six, eight, twelve times as much space.† (Freud, 1997: 170) Condensation manifests itself as images laden with meaning, as the unconscious overlays and condenses two or more dream-thoughts into one motif. Part of the skill of the analyst according to Freud is the extent that such condensation can be unravelled and successive layers of unconscious meaning and repression peeled back and revealed (Freud, 1965: 313). Whereas Freud was dubious as to the possibility of ever reaching a definitive dream interpretation because of the very nature of condensation, he also asserted that the ways in which dream-thoughts are condensed gives the analyst a clue as to their psychical meaning. Freud cites his own dream of the Botanical Monograph as an example of the way in which different dream-thoughts can be condensed into one dream-image; the latent meaning only becoming apparent when this relationship is exposed . Displacement Displacement refers to the substituting of elements within dreams. Due to the nature of the unconscious, elements and images that have a similar psychical economy invariably end up being displaced, one for the other. In The Interpretation of Dreams Freud characterises displacement as constituting a de-centring of the dream-thoughts: â€Å"We may have noticed that these elements which obtrude themselves in the dream-content as its essential components do not by any means play this same part in the dream-thoughts.† ( Freud, 1997: 190) Displacement, like condensation, arises from the synchronous nature of the unconscious and manifests itself in two ways; firstly, through the substituting of dream-thoughts, so that dreams can appear absurd and illogical and, secondly through shifting meanings – an image may possess one meaning in one nights dream and another on a different night. Melanie Klein, for instance, in her essay â€Å"Psychological Principles of Early Analysis† (1991) offers us some interesting insights into how displacement works in something other than the dream; the child at play. â€Å"My analyses again and again reveal how many different things, dolls for example, can mean in play. Sometimes they stand for the penis, sometimes for the child stolen from the mother, sometimes for the little patient itself etc.† (Klein, 1991: 134) Both condensation and displacement have been used as the basis for theories of Surrealist aesthetics, as Carrouges and Prendergast assert in their study Andre Breton and the Basic Concepts of Surrealism (1974: 192) which uses seemingly disparate images juxtaposed in order to create an illogical, dream-like tableaux. Representation Representation refers to the dreamworks tendency to present feelings, repressions and notions as images and symbols. Unlike many pre-Freudian systems of dream interpretation such symbolisation is centred, to a very large extent, around the dreamers own personal history and psychology. However as I have already stated there are, due to the inter-subjective nature of the psyche, recurring symbols and motifs that can be found in a great many peoples dreams. Richard Stevens in his Freud and Psychoanalysis (1983) mentions just a few of them: â€Å"small boxes, chests, cupboards and ovens correspond to the female organ; also cavities, ships and all kinds of vessels. The actions of climbing ladders, stairs, inclines or flying may be used to symbolise sexual intercourse; having a haircut, tooth pulled or being beheaded, castration.† (Stevens, 1983: 33) Secondary Revision Secondary revision refers to the mental processes that occur after the dreamer awakes and that organises and places the otherwise absurd and disparate images and themes into a, relatively, cohesive narrative. Wollheim points to there being doubt in Freuds later work as to the place of secondary revision within the dreamwork (Wollhein, 1971: 69) but, as a concept, it has been important in many neo-Freudian systems of aesthetics especially, as Charles Altman points out in his essay â€Å"Psychoanalysis and Cinema† (1986: 526), by the French school of film critics who saw it as, not so much an integral part of the dreamwork, but as the main constituent in narrative formation and the audience/film dialectic. Jung On Dreams Dreams play as important a role in the work of Carl Jung as Sigmund Freud (Fordham, 1964) however the former not only sees their place in the psychical economy differently but has, as he explains in Man and his Symbols (1964), created an entirely separate process of interpretation and translation. Jung disagreed with Freuds notion of the dreamwork and his method of free association whereby the analysand recalls a dream and lets their mind wander through the myriad of different unconscious connections only to be unravelled and assessed by the analyst. For Jung, this process is likely to uncover neuroses and repression but is unlikely to uncover them connected with the dream. For Jung, the further away from the central motifs of the dream-image one gets the further away one travels from the locus of their meaning. Therefore, under a Jungian system, dreams consist not of personal motifs of repression returning through the dreamwork but as expressions of either the personal or collective unconscious. The method of extracting the meaning from dreams is centred around the correct reading of such symbols and an evaluation of how they relate to either the dreamers personal or their phyllogenetic background, as Jung himself asserts: â€Å"Dreams are impartial, spontaneous products of the unconscious psyche, outside the control of the will. They are pure nature, they show us unvarnished, natural truth, and are therefore fitted, as nothing else is, to give us back an attitude that accords with our basic human nature.† (Jung, 1989: 55) Jung viewed the waking, conscious perceptions as having a penumbra of associated psychical meanings (Jung, 1964: 28), even the very simplest of actions, for instance seeing or hearing, can involve a gamut of other ideational and experiential relations and it is this that we witness in dreams; the whole of our unconscious unfettered by the ordering, the siphoning and the categorisation of the conscious mind. For Jung, then, the absurd quality of dreams, their surreal nature comes not from intervention of the dreamwork but from the cultural and personal associations attached to perceptions and experiences. Thomas On Dreams Both Freuds and Jungs systems of dream interpretation offer us important critical tools with which to view Dylan Thomas Under Milk Wood both in terms of the images and symbols the playwright uses in order to convey the sense of the somatic and the dream-like and his use of surrealism as a semi-comic trope throughout the piece. The play begins in the collective dream of the town. Just like the short story Quite Early One Morning, the audience is taken on a journey through the consciousnesses of the sleeping townsfolk as they dream their separate dreams, shaped (as both Freud and Jung assert) by their individual consciousnesses and personalities. Captain Cat, for example, experiences the return of the repressed guilt he feels towards his long dead shipmates: â€Å"Captain Cat, the retired blind sea-captain, asleep in his bunk in the seashelled, ship-in-bottled, shipshape best cabin of Schooner House dreams of Second Voice: never such seas as any that swamped the decks of the S.S. Kidwelly bellying over bedclothes and jellyfish-slippery sucking him down salt deep into the Davy dark† (Thomas, 2000: 2) Thomas, here, reflects both Freudian and Jungian dream analysis as Captain Cats dreams abound with symbols of his past and are unmistakably suffuse with the characters own visual lexicon, what Jung calls the â€Å"dream language† (Jung, 1986: 33). The same can be said of Dai Bread who dreams of â€Å"harems†, Polly Garter who dreams of â€Å"babies† and even Nogood Boyo who dreams of â€Å"nothing†. However, within the very text of Under Milk Wood we notice each one of the four elements of the Freudian dreamwork. The dense language is a clear instance of condensation: the vital elements of the imagistic leitmotifs are extracted and pile one on top of another, as adjective combines with adjective to form the quintessentially Thomasian poetics, such as here where the playwright draws a finely tuned portrait of Mrs Dai Bread One, the wife of the baker: â€Å"Me, Mrs Dai Bread One, capped and shawled and no old corset, nice to be comfy, nice to be nice, clogging on the cobbles to stir up a neighbour. Oh, Mrs Sarah, can you spare a loaf, love? Dai Bread forgot the bread. Theres a lovely morning! Hows your boils this morning?† (Thomas, 2000: 22) Thomas both describes the sense of a dream here and, through condensation, utilizes its mechanism. Words and phrases are juxtaposed and their meaning condensed in a way that mirrors almost exactly the workings of Freuds dreamwork. We see this reflected many times throughout the narrative of Under Milk Wood, as the author evokes in a linguistic sense what Freud saw in a psychoanalytic sense. We see, for example a clear literary rendering of displacement in the absurd portrait of Cherry Owen as described by the Second Voice: â€Å"Cherry Owen, next door, lifts a tankard to his lips but nothing flows out of it. He shakes the tankard. It turns into a fish. He drinks the fish.† (Thomas, 2000: 13) Here the incongruous image of a fish replaces or displaces the tankard that Cherry Owen drinks from adding to the dreamy quality of the early passages of the play. As a cultural symbol, the fish also mirrors the third of the Freudian mechanisms, representation, whereby a linguistic notion â€Å"He drinks like a fish† is rendered in a quasi-comic symbolic form. Of course, the ultimate use of dreams and dreaming in Under Milk Wood is the plot itself. Both Freud and Jung rely heavily on the concept of the return within their respective dream philosophies (Stevens, 1983; Fordham, 1964) and this is reflected in the very structure of the play that could, after all, be thought of as merely the manifest dream-content of the First Voice, or perhaps even Thomas himself. Like a dream, the text iterates, as we shall see in the next chapter, the same basic images and archetypes; the symbols are at once full of meaning in themselves and signifiers for other things. The First Voice can be seen as the voice of God but also of secondary revision, knitting disparate elements together to form a narrative that can be followed and engaged with. As the characters awake, their lives, as they are described by the First and Second voice, are shown to be no less absurd than the irrationality of their dreams. This is perhaps because the entire play can itself be seen as a dream of the authors in which he creates, as he states in a letter to A.G. Prys Jones, â€Å"a never-never Wales† (Thomas, 1985: 848) that, like its Peter Pan counterpart, is as much a manifest wish of its author as anything else. Chapter Three: The Shadow, T

Synchronous and Asynchronous Mode :: essays research papers

Synchronous and Asynchronous mode:   Ã‚  Ã‚  Ã‚  Ã‚  In telecommunication signaling within a network or between networks, synchronous signals are those that occur at the same clock rate when all clocks are based on a single reference clock. Synchronous communication requires that each end of an exchange of communication respond in turn without initiating a new communication.   Ã‚  Ã‚  Ã‚  Ã‚  An asynchronous signal is one that is transmitted at a different clock rate than another signal. Asynchronous operation also means that a process operates independently of other processes, whereas synchronous operation means that the process runs only as a result of some other process being completed or handing off operation. Analog and Digital: Analog communication employs continuous transmission of an electromagnetic wave form that varies in frequency and amplitude. A digital communication system uses discontinuous transmission that may vary in frequency, amplitude and/or phase to represent binary data. Simplex and Duplex:   Ã‚  Ã‚  Ã‚  Ã‚  A communications network can provide many types of service. The most basic type of service is known as simplex. This service provides one-way communication. Examples of this type of service are TV distribution, and the transmission of burglar alarm messages.   Ã‚  Ã‚  Ã‚  Ã‚  Most networks transfer data in two directions and are known as duplex communications links. Duplex links are classified as either full duplex or half duplex (also known as two ways alternate), depending upon whether both local and remote nodes may simultaneously transmit, or whether one must wait for the other to finish before starting transmission. Serial and Parallel Transmission:   Ã‚  Ã‚  Ã‚  Ã‚  In telecommunication, serial transmission is the sequential transmission of the signal elements of a group representing a character or other entity of data. The characters are transmitted in a sequence over a single line, rather than simultaneously over two or more lines, as in parallel transmission. The sequential elements may be transmitted with or without interruption. A parallel link transmits several streams of data (representing particular bits of a stream of bytes) along multiple channels (wires, printed circuit tracks, optical fibres, etc.). Serial Line Internet Protocol (SLIP)and Point-to-Point Protocol (PPP):   Ã‚  Ã‚  Ã‚  Ã‚  SLIP and PPP are two communication protocols which allow a computer connected to a server via a serial line (such as a modem) to become an actual node on the internet. This allows you to run network applications on your home computer directly. While SLIP and PPP are largely similar, there are some key differences. PPP is a newer protocol, better designed, and more acceptable to the sort of people who like to standardize protocol specifications.

Is men appear stronger than women in his play “A Midsummer Nights Dream “? Essay

How does Shakespeare make men appear stronger than women in his play â€Å"A Midsummer Nights Dream â€Å"? How does this affect society at the time of writing? â€Å"A Midsummer Nights Dream† was written by William Shakespeare and was rumoured to be written around 1598, when Elizabeth the 1st was on the throne. The reason that it is believed to be written around this era is that at the time there was a few years of bad weather in England. This links to the effects of Titania and Oberon’s argument over the changeling child whereby the fairy and mortal world are changed. Titania is the Queen of the fairies and Oberon is the King of the fairies. In this essay I will be providing evidence that men seem stronger than women in â€Å"A Midsummer Nights Dream† by using quotations and personal reasons. As ‘A Midsummer Nights Dream’ is set in Athens and there are four main groups of characters, the lovers, the mechcanicals Theseus, the duke of Athens is getting married to Hippolyta, the Queen of amazons. Egeus has chosen a husband for his daughter, Hermia, who has refused to marry Demetrius. Egeus has gone to the Duke to ask him what he can do about his uncooperative daughter. The Dukes solution is to punish Hermia for disobeying her father; to die or to marry Demetrius. This contradicts my essay title that men are more powerful than women, however, this is only one of the very few times when women seem to be more powerful than men. Hermia is actually in love with Lysander and he is in love with her so he refuses to give her up to Demetruis. To avoid punishment from the Duke, they both flee the nearby forest just outside of Athens were they are followed by Helena and Demetruis. The problems start to arise when Puck, the henchman of Oberon places a love potion in the wrong athenians eye. Making Lysander fall in love with Helena and when he tries to resolve the problem he puts the â€Å"love potion† in Demetrius’s eyes. Demetruis and Lysander are now madly in love with Helena leaving Hermia with nobody loving her. Again Puck creates another problem by messing about while a group of work men are rehearsing for a play that they hope to perform at the Duke’s wedding. This creates a very humorous moment in the play. This is also evidence that the play was written for the Queen Elizabeth 1st as she liked comedies. This is ideal for Oberon’s plan to humiliate the Queen of the Fairies to get the changeling boy that he desires so much. During the period of time when the love juice is in effect, there is a lot of misunderstandings and bewilderment. The fairies create a lot of trouble in the play as well as a paranormal element. It is also like a dream when the play is set in the forest and then when it is set in the city of Athens it more realistic. In the play Egeus can not control his daughter so we assume that he is a weak person especially as in Shakespeare’s time it is thought that women were controlled by males and they weren’t suppose to question it. To prove this Theseus says, â€Å"To you your father must be a god â€Å" Egeus goes on to describe how Demetrius is a man who she should marry. He blames Lysander for her change in attitude towards him as the play continues, â€Å"Turned her obedience, which is due to me, to stubborn harshness†. During the time of Shakespeare women were possessions to men, as Egeus says, â€Å"As she is mine, I may dispose of her† Egeus goes on to explain about the law but he needs Theseus to control the situation, as he is the Duke. In this situation the female involved, Hermia, is the more powerful then Egeus, however, the situation changes when they go and speak to Theseus. where they both threaten Hermia with death. To prove to her father that she will not obey him Hermia argues, â€Å"I grow, so live, so die, my lord†¦unto his lordship, whose unwished yoke† This basically means that you can kill me but I will not be happy until I marry Lysander. Oberon is the King of the Fairies and Titania is the Queen of the Fairies. They are both powerful but in different ways and that is what makes the story interesting. When we first meet Oberon and Titania we find out that they are having an argument or a misunderstanding. We know this because the first thing that Oberon states is â€Å"Ill be met by moonlight, proud Titania† Titania replies with â€Å"I have forsworn his bed company† This reply shows that they are in the middle of the quarrel as she won’t do what Oberon wants her to do; to give him the changeling boy. For a long time Titania resists and she even refuses to go to bed with him. Again like Egeus and Hermia women are supposed to obey men and this is another example of disobedience from women. A changeling boy show power to who ever owns one as a changeling boy is a henchman that’s why Titania wont even give him up for the for the Fairy Kingdom. â€Å"Not for thy fairy kingdom† But Oberon response shows his power because he can take revenge â€Å"Well go thy way †¦ till I torment thee for this injury† By saying this he explains to the audience how his strength and control can be used to retaliate against Titania’s infliction. Theseus and Hippolyta were both leaders of a cluster of people. Theseus was the Duke of Athens and had control over all the people that lived in the Greek city of Athens and Hippolyta was the Queen of the Amazons. The Amazons were a group of women that hated men who had fought in battles and also had a ritual to cut their right breast so they could fire arrows. They both had a lot of respect from two very different groups of people. Hippolyta was seen as a trophy wife, she was won in a battle and so became his prize. Theseus shows Hippolyta off to show that he has the power to win battles. As explained earlier Egeus came to Theseus with a dilemma about his daughter and to show his power he threatens her with a death penalty. During the play Hippolyta doesn’t say a lot of things and it is obvious that she has hidden feelings, but as a conclusion Theseus has a lot more power over her, this proving my statement. The first we see of Demetrius is in the forest and Helena is following him. They are both looking for Lysander and Hermia when we notice that Helena is trying to beg for Demetruis’s love, â€Å"I am your spaniel †¦ your wrongs do set a scandal on my sex we cannot fight love, as many men do† Helena seems a pushy character and seems selfish. I think this because it is obvious that he doesn’t love her but she still asks and pleads him to love her. The power is definitely towards Demetrius as he is denying Helena’s love because he loves Hermia. Demetrius shows his strength and takes advantage of her by saying â€Å"leave the city.† The power changes after puck puts love juice in his eyes while he is sleeping. This affects everything as he now loves her so much and doesn’t love Hermia anymore as Demetrius says, â€Å"O Helena, goddess nymph, perfect divine† By saying this he weakens his masculinity to what Helena was before. Queen Elizabeth was a very powerful woman and to show this she once said this very memorable quote, â€Å"I know I have the body of a weak and feeble, but I have the heart and stomach of a king and a king of England at that† This quote reflects how men were perceived as powerful and strong and women as weak and incapable. Queen Elizabeth was about the first woman to show that she was strong and not how women were portrayed as. She somewhat broke the dowry system law, which was that women were not aloud to work or do anything constructive. In conclusion of this essay I feel that men are overall more powerful than women but after further consideration I feel that towards the end of the play the power changes over to the women. This is all down to Puck and Oberon with the love juice. There is certain situations were women appear more powerful than men. That situation is with Egeus and Hermia, as she doesn’t get punished for loving Lysander rather than the chosen Demetrius. Even at the end of the play she still has power over him as they marry. I think the play was the best out of the Shakespeare plays that I have previously studied. I enjoyed it because it was one of the plays that I actually understood and I like the comedy that was included in the play. I also liked how the subplots all rolled in to one or they affected one of the other plots.

Calvanism and the Religious Wars essays

Calvanism and the Religious Wars essays Title Calvinism and the Religious Wars Place of Publication New York, 1971 Publisher Howard Fertig, Inc. This book is about pretty much the beginning of Calvinism and how it played a major role in the reforming of mid to late fifteenth century Europe. Franklin Charles Palm tries to exam the role in which John Calvin used his love for the sacred scriptures and religion to reform the way he lived, and the rest of the world. Concentrating mostly on Europe at that time period. Palm breaks down the life of Calvin at first, and then as he proceeds through this book he leads up to actual formation of the religion. And ultimately then how this newly formed religion affected or may off even caused some of the religious war. I unfortunately could not find any info on Franklin Charles Palm, though I even had one the librarians look for me to. I feel that Franklin Charles Palm was really not trying to answer any certain question while he was attempting to write this informative novel at all. In fact I think that his true purpose for writing this was to give an accurate account of what role Calvinism played in that time period, because from what I can understand he did not feel that there was enough information readily available. His work in my own opinion is very relevant to the study of history, and he has added another great resource to the reference area for history in any library. I feel that his work does not offer any resonably new information for students to learn, but it may present an easier way of learning for those who are tired of reading the same old reference books. This book does though coincide with most of the notes that we have taken during class periods. This helps out greatly when writing papers and reviews for essays and reports. Palm starts the novel out by explaining the early the early life of John Calvin and explains his life with his family. It talks about his father Gerad Ca...

20 Persuasive Essay Topics on the Social Aspect of Sports

20 Persuasive Essay Topics on the Social Aspect of Sports It doesn’t matter how good you write, if you choose a bad topic you will find it difficult to leave a mark. Without an appropriate topic, it’s very difficult to even start writing. We already provided you with valuable information in our 10 facts for a persuasive essay on sports as a social institution guide. In this second guide, we’ve collected 20 sports persuasive essay topics so you can start writing them right away. Furthermore, we’ve also included a persuasive sample essay on one of the 20 topics, which will serve well to assist you. We highly recommend that you thoroughly read our third guide which is the perfect manual for writing a persuasive essay. It eases you into writing a better and more precise persuasive essay that is not only compelling to the eyes of the reader, but also a piece that comes off as professional and elegant too. With that said, here are 20 sports topics on social aspect: How Sports is Reshaping Global Politics Effects of Sports on Global Culture Sports’ Role as a Social Institution How Sports is Making a Difference in Intercultural Relations Sports as an Instrument to Unite People Around the World Sports A Powerful Tool to Foster Peace and Mutual Understanding How Sport is Used as Means of Power and Development Influence of Sports on People’s Lives How Sports Have Changed Our Culture Role of Sports in Ancient Civilizations Correlation of Sports with Culture and Religion Why Sports is a Necessity for People Reasons Behind the Creation of Sports Relation of Sports with Other Social Institutions How Sports Influence Social and Economic Status of an Individual Sports’ Influence on Political Identities How Sports have Promoted Thousands of Players Worldwide Sports and The Reason it Is a Part of Everyone’s Lives Global Revenue of Sports and How it Affects Economic Systems Sports and its Influence on Media and Television You’ll find plenty of information on these topics, but still, we’ve included 7 references from where we collected the topics, just so you know. To make things easier, we’ve written a sample persuasive essay on one of the topics above. Sample Persuasive Essay: Sports and Its Influence on Media and Television Ever since sports became a part of media and television series, it’s become very close to a convergence. Through new digital technologies, sports and entertainment industries have risen to a challenge where they are able to change and shape the way we spend our leisure time and entertain ourselves. Even though economic times have recently been troubled, sports continued to thrive and become more popular than ever. However, lower tier events find it difficult to get the attention they need – they have to work a lot harder than major events to achieve their desired viewership. Since we are seeing a major breakthrough in media and a remarkable competition between entertainment industries, sports have focused more on providing value for money by delivering added entertainment segments and more. Sports have also been used to attract viewers into watching lead-out programs that are not as popular as they aim to be. For example, one of the most watched programs in American television history was the 2011 Super Bowl; it gave 27 million viewers to Glee, the lead-out program had almost doubled its usual view score. Through social media channels, sports have continued to offer entertaining and personalized opportunities to their fans by creating a two-way communication. It allows fans to get personal with sports protagonists, personalities and athletes and on the other hand, enables sponsors to embed their brand and have an understanding of how fans perceive their brand. It’s a great way to provide and manage the quality and value of convergence between sports and entertainment industries. Through the use of internet media, television advertising and improved economic conditions, entertainment industries have increased the global revenue of sports in 2015 and in the future, pay-TV penetration will be the leading driver to boost revenue as most of the sports programs are migrating to pay-TV platforms. The convergence of sports and media has attracted more viewers than they ever did alone. Sports have been a dominant social institution to influence, inspire and attract different aspect of identities and individuals. This convergence has not only led to billions of revenue in the United States alone, but it has also brought different nations and cultures to a big intercultural unification. Through the media, sports have become a leading social institution and serve as a platform for debate, gossip, reviews, scandals, feats and more. This covers it! You are on your way to writing a compelling and ideal persuasive essay on sports as a social institution. Be sure to follow our third and final writer’s guide for a persuasive essay on sports as a social institution, which will greatly help in writing a clear and concise essay that persuades your audience to agree with your point of view. References: Hardin, M., Greer, J. D. (2009). The influence of gender-role socialization, media use and sports participation on perceptions of gender-appropriate sports. Journal of Sport Behavior, 32(2), 207. Horne, J. (2006). Sport in consumer culture.Sport in consumer culture. Palgrave Macmillan. Jhally, S. (1989). Cultural studies and the sports/media complex. Media, sports, and society, 70-93. Coakley, J. J. (1997). Sport in society: issues controversies.Sport in society: issues controversies.. McGraw-Hill Inc. FREY, JH; EITZEN, DS; 1991 â€Å"Sport and Society – Annual Review of Sociology† Volume 17, Pages 503-522 Annual Reviews Inc. Coakley, J. J. (1997). Sport in society: issues controversies.Sport in society: issues controversies.. McGraw-Hill Inc.   YÄ ±lmaz Kaplan, Demet Tekinay, Dr. Alkan Ugurlu; 2013 â€Å"Social Status of Sport: Sport as a Social Event, Phenomenon and Institution† International Journal of Science, Culture and Sports. iscsjournal.com/Makaleler/588422276_8ugurlu.pdf

Organisations Design Essay Example | Topics and Well Written Essays - 2000 words

Organisations Design - Essay Example ctively silence criticism and concerns by the rank and file, a culture that mocked and ignored ethical compliance issues, and numerous other elements that reduced their effective impulse control, morality, concern over their actions and ability to perceive the inevitable consequences of their actions. Definition of Culture Schein defines culture thusly: â€Å"a pattern of basic assumptions...developed by a given group as it learns to cope with its problems of external adaptation and internal integration...considered valid and, therefore, to be taught to new members as the correct way to...think† (1985, p. 9). Culture can be considered to be separate from but clearly intertwined with institutional characteristics. Institutional decisions to scuttle external auditing and accounts is an institutional decision. The sentiments behind that decision that laugh at external controls and view them as unnecessary is a cultural trait of the organisation. ... . ethics – successful, driven, focused, philanthropic and responsible† (Sims and Brinkmann, 2003). Just as the company had seemed to be the darling of Wall Street and invulnerable to failure, it also seemed to be a truly responsible company. Of course, it is important to note that not everyone bought into Enron's golden story. Greg Palast, an investigative journalist for The Guardian, had been writing exposes on Enron for years (2004). Palast in a retrospective on Enron in 2002 argued that Enron's collapse was predictable due to a combination of lackluster media criticism that continued after the crisis, a culture of political irresponsibility and a sense of political entitlement, arrogance, and other factors: One tabloid...called Baxter a "hero"...[T]his is the Baxter who last year quietly crawled out of Enron...then dumped his stock on unsuspecting buyers... There have been a lot of misplaced tears in the Affair Enron. The employees were shafted, no doubt about it. But the shareholders? I didn't hear any of them moan when Enron stock shot up through the roof when the company, joined by a half dozen other power pirates, manipulated, monopolised and muscled the California electricity market a year ago...Enron and half a dozen others skinned purchasers for more than $12bn in excess charges....Enron sold 500 megawatts of power to the state for delivery over a 15-megawatt line...[T]he company knew darn well the juice couldn't make it over the line, causing panic in the state - customers would then pay 10 times the normal cost... The federal regulator caught that one. Within weeks of taking office, George Bush demoted the troublesome official. Lay boasted to one candidate expected to replace the sacked regulator that

Management and Leadership Assignment #1 Essay Example | Topics and Well Written Essays - 750 words

Management and Leadership Assignment #1 - Essay Example Vandebroek, the Chief Technology Officer in Xerox, engages into a thorough discussion of the importance of innovation in the technology industry and the critical role of managing innovation in eventually gaining competitive advantage. According to the case study, Vandebroek distinguishes innovation from simple invention largely on the basis of their differentiation in orientation. As Noteboom (2000) claims, invention is the ‘obsession’ to create something new in a radical manner, whereas innovation is actually the process of transforming the new idea into marketable products or services. The underlining difference lies in the fact that while invention is the art of designing a new product or service, innovation is what actually matches the fit between this new product and the overall market. Innovating, according to Vandebroek, substantiates with the ability to introduce and launch new products that are necessary for the customers and which can yield economic returns and profits for the company. The distinction is directly related to the three stages of innovation as the term invention practically refers to the first two phases; concept and product technology. Invention, in other words, it is a part of innovation but fails to grasp the essence of making products or services available to the market. Chell (2001) states that innovation is not just about conceptualizing and developing new products, it is also about designing the overall strategy to efficiently and effectively introduce innovative products or services to the market. Therefore, in Vandebroek’s distinction the innovation adds up to the third stage which is non-addressed by invention. Kreitner (2006) states that during the last years, companies have assumed a pro-active role instead of creative as a partial way to avoid any forthcoming regulations Legal factors that might need to be considered by Xerox in its overall innovation